If Chrissie Hynde ever let her country influences rise all the way to the top, she might produce something possessing the power and grace of Timms' Laments. Appearances by Robbie Fulks, Andrew Bird and Langford are the icing on a damn near perfect musical cake. Timms' secret weapons are the twin contributions of Grievous Angel Jon Rauhouse on nearly everything from pedal steel to banjo and former Bottle Rockets member Tom Ray on upright bass. The Handsome Family is well represented, with Timms' cover of Rennie and Brett Sparks' "The Sad Milkman" and "Snowbird," perfect fodder for her country warble. "Sweetheart Waltz," a Timms/Jon Langford co-write, sounds like Brian Eno's take on a country two-step, while Timms' cover of Johnny Cash's "Cry Cry Cry" is gently heartbreaking. Timms assembled a flawless set of songs, both traditional and original, and a stacked deck of talent to produce it. To balance the manic energy of The Mekons' frenetic sideshow, Timms takes the occasional break to concoct a little traditional country treat like her second solo album. It's ultimately safe, but the possibility for great danger is as close as the other side of the stage. (Photo by Bob Krasner) Sally in a solo silhouette.For Sally Timms, being the estrogen influence in The Mekons is like being the babe target for the circus knifethrower. (Photo by Bob Krasner) (Photo by Bob Krasner) (Photo by Bob Krasner) Timms and Langford take a stance. Jon’s painting can be found at you can follow him on Instagram: by Bob Krasner) The obligatory whistling solo by Sally Timms. And it was well deserved.įor further info on the web: Jon Langford and Friends will be at TVEYE in Ridgewood on 10/22. since about 2:30 this afternoon. Trap drums, bongo drums, people singing, people chanting at the tops of their voices, audiences applauding, crowds yelling and woo-hoo-ing.” “There has been a nonstop hootenanny concert going on in the backyard patio space at 90 E. For the record, we would like to share the complaint, which Peila calls “a brilliant review of an amazing day.” You can’t please everyone though – despite the fact that they were breaking no laws and the music was not even amplified, a noise complaint was lodged and duly followed up by the police, who confirmed that there was no reason to stop the show. Mekons fans will also be happy to know that the band is planning on recording again soon.
Recent productions include two charity projects, the ‘Freakons” – a combo of members of Freakwater which will benefit Kentuckians for the Commonwealth and the Pine Valley Cosmonauts, who have recorded their cover version of Tom Waits’ first album as a benefit for the Chicago Independent Venue League. For Sally Timms, being the estrogen influence in The Mekons is like being the babe target for the circus knifethrower. Neither of them seems capable of sitting still anyway. Future future future!!! No room for sitting on the punk rocker laurels!” “So many memories of naughty nights on the town….even went with Joey Ramone for beers after a gig in 1987!” But, he adds, “Nostalgia, f–k it. “The East Village was always where we gravitated to even back in the eighties,” relates Jon. Sally recalls that “we played CBGBs many times, but the main thing this time for me was wandering around the streets where I’d roamed about thirty years ago.
The neighborhood, being the East Village, holds some memories for both Langford and Timms.
“Just the kind of collaboration we like, as a gallery and bookstore that supports cool culture in the neighborhood.” “It was so nice to host Sally Timms and Jon Langford’s acoustic music at Village Works in association with Kate’s release party for Gianluca’s Changui box set of 3 CDs and a book,” he said. Joseph Sheridan, the proprietor of the Village Works shop, sounded like he’d do it again. “Jon Langford/Sally Timms et al did just that and more! Everyone who attended not only thanked me but also told me how special it was because of the intimacy – they felt like they were almost a part of the band. “My joy is producing events that not only showcase great artists but also inspire the community to join in,” she said. Kate Peila of The Front NYC, co-produced the event with Gianluca Tramontana and had plenty of positive feedback. They made some change, they entertained everyone, it was beautiful! “ Noted musician Deerfrance said, “It was great. The audience was quite pleased, with one exception (more about that later). There were two small shows on Sunday, an afternoon and evening set both with a generous setlist.
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